![]() ![]() Jurassic World trafficked in empty references to the original Jurassic Park, in Mr. Part of that strange feeling comes in the form of Fallen Kingdom’s peculiar use of iconography. ![]() This looks like a movie, even if it feels like less of a movie. ![]() Jurassic World looks like a car commercial. Bayona, Fallen Kingdom also has a surfeit of style, even if that style is hung on a coat rack that’s missing all of its screws. Where Jurassic World has the barest scrap of a straightforward story structure (even if it is just the story structure of the original Jurassic Park), Fallen Kingdom is nearly narratively incoherent, jumping from save-the-dinosaurs eco-thriller to children’s haunted house adventure to weirdly inexpensive dinosaur auction without so much as a warning. They’re both bad in their own special way, taking totally divergent paths towards the same common goal: a bizarre determination to make once-astonishing CGI dinosaurs completely and totally ordinary. It’s hard to precisely decide which Jurassic World film is worse. Where 2015’s unspeakably atrocious Jurassic World settled for an inferior franchise rehash, Fallen Kingdom quickly becomes something else entirely. But one thing Fallen Kingdom isn’t is nostalgic. In its best moments, it abandons its science-fiction roots and becomes something else entirely, namely a mediocre little haunted-house thriller that happens to be about a big toothy dinosaur. It’s bland, uninspiring, and utterly soulless, a far cry from the effortless wonder that Steven Spielberg channeled into the classic original. Jurassic World: Fallen Kingdomis a bad movie. The latest dinosaur romp abandons ’90s nostalgia and instead gets high on its own supply. ![]()
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